Beethoven: The Symphonies (贝多芬:交响曲全集)

Yannick Nézet-Séguin
HIRES小金标FLAC|192kHz/24bit

规格: 44 首
流派: 古典乐
类别:交响曲
发布:06 12 2022
公司:Deutsche Grammophon (DG)
专辑价格: ¥398  GSM
专辑介绍:
原计划在2020年4月贝多芬诞辰250周年之际推出的《贝多芬:交响曲全集》是雅尼克与欧洲室内乐团第三次以作曲家为线索的合作。早在2014年和2017年雅尼克与欧洲室内乐团就合作演奏并录制了舒曼和门德尔松的全套交响曲作品。这是欧洲室内乐团继90年代与尼古拉斯·哈农库特合作的唱片后,首次录制完整的贝多芬全集。
曲目列表:
1.Beethoven: Symphony No. 1 in C Major, Op. 21 – I. Adagio molto – Allegro con brio
2.Beethoven: Symphony No. 1 in C Major, Op. 21 – II. Andante cantabile con moto
3.Beethoven: Symphony No. 1 in C Major, Op. 21 – III. Menuetto. Allegro molto e vivace
4.Beethoven: Symphony No. 1 in C Major, Op. 21 – IV. Finale. Adagio – Allegro molto e vivace
5.Beethoven: Symphony No. 2 in D Major, Op. 36 – I. Adagio molto – Allegro con brio
6.Beethoven: Symphony No. 2 in D Major, Op. 36 – II. Larghetto
7.Beethoven: Symphony No. 2 in D Major, Op. 36 – III. Scherzo. Allegro
8.Beethoven: Symphony No. 2 in D Major, Op. 36 – IV. Allegro molto
9.Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 “Eroica” – I. Allegro con brio
10.Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 “Eroica” – II. Marcia funèbre. Adagio assai
11.Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 “Eroica” – III. Scherzo. Allegro vivace(
12.Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 “Eroica” – IV. Finale. Allegro molto
13.Beethoven: Symphony No. 4 in B-Flat Major, Op. 60 – I. Adagio – Allegro vivace
14.Beethoven: Symphony No. 4 in B-Flat Major, Op. 60 – II. Adagio
15.Beethoven: Symphony No. 4 in B-Flat Major, Op. 60 – III. Allegro vivace
16.Beethoven: Symphony No. 4 in B-Flat Major, Op. 60 – IV. Allegro ma non troppo
17.Beethoven: Symphony No. 5 in C Minor, Op. 67 – I. Allegro con brio
18.Beethoven: Symphony No. 5 in C Minor, Op. 67 – II. Andante con moto
19.Beethoven: Symphony No. 5 in C Minor, Op. 67 – III. Scherzo. Allegro – Trio
20.Beethoven: Symphony No. 5 in C Minor, Op. 67 – IV. Allegro
21.Beethoven: Symphony No. 6 in F Major, Op. 68 “Pastoral” – I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
22.Beethoven: Symphony No. 6 in F Major,
 
The Chamber Orchestra of Europe (COE), established in 1981, is administratively based in London. The orchestra comprises about 60 members coming from across Europe. The players pursue parallel careers as international soloists, members of eminent chamber groups, and as tutors and professors of music. The orchestra receives substantial support from the Gatsby Charitable Foundation and the Underwood Trust;[1] they have no single home resident hall and no appointed resident conductor. The orchestra is a registered charity under English law.[2] The idea for the COE came from musicians in the European Community Youth Orchestra, from members who were past the age limit for the ECYO and who wanted to continue working together in a chamber orchestra context. The founding members included the oboist Douglas Boyd, who served as the COE s principal oboist from 1981 to 2002. Over the years the COE has developed strong relationships with Claudio Abbado, Bernard Haitink and the late Nikolaus Harnoncourt, together with Thomas Adès, Pierre-Laurent Aimard, Emanuel Ax, Lisa Batiashvili, Joshua Bell, the late Paavo Berglund, Renaud Capuçon and Gautier Capuçon, Isabelle Faust, Janine Jansen, Vladimir Jurowski, Leonidas Kavakos, Radu Lupu, Yannick Nézet-Séguin, Sakari Oramo, Murray Perahia, Maria João Pires, Sir András Schiff and Rolando Villazon. The COE performs regularly in the major cities of Europe, with occasional visits to the United States, Japan and Australia. The COE has strong links with the Alte Oper in Frankfurt, the Styriarte Festival (de) in Graz, the Lucerne Festival, as well as the Kölner Philharmonie (de) in Cologne, the Philharmonie de Paris and the Concertgebouw in Amsterdam. From 2007 to 2013, the COE was appointed Cultural Ambassador by the European Union in its Culture Programme. The COE created the COE Academy in 2009 in order to provide opportunities to gifted music students to study with COE musicians.

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